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It's not everyday you get to spot this '24 Audi R8 Spyder on the road. Whoever owns this final-production ride powered by the legendary NA 5.2L V10, definitely has a true modern icon in their garage. With the V10 era now over, it's a machine that's only destined to become more special with time.

Audi R8 Spyder drenched in beautiful Kemora gray metallic paint. @evgisado the model owner 🫡

Three-pointed star.

Audi RS3 8P ACT 2: The sudden downpour hits different as I captured some stirring rain scenes in the last 5 minutes.

Launch film for the all new Honda ZR-V e:HEV. A visual journey blending real world cinematography and Gen AI visuals to tell one cohesive story. Can you tell them apart?

ACT 1: Highly sought after first gen Audi RS3 (8P) giving lots of vibes 🫶

Zeekr X 🤝 Meta AI glasses

Aura in the carpark? But definitely a tech laden AVATR 07 in the house.

Station-hopping with the Zeekr 7X is like bringing a vegan to a steakhouse. Slightly out of place but stayed because the lighting was good. Turns out the alternative future and the present can still hang out together.

Different terrains. One unmistakable presence.

The Avatr 11 has enough bells and whistles to make Orchard Road and Downtown feel a little more premium.

Final boss in a black suit - quiet refinement and undeniable presence. No theatrics, no nonsense. just the kind of gentleman who commands respect the moment he arrives.

I had 2 hours at Wearnes Bonded Gallery. Full details and gallery of this LaF in white at: https://www.broadarrowauctions.com/vehicles/gi26v_r0057/home

Shot under some of the most unfavourable conditions.. white under full scorching mid day sun, bonded warehouse. Got to make do with some props to keep things interesting.. Luckily there was a pickleball court! Last slide for bts. Share more at a later date.

Oh, ok boss..

Been wanting to find time to bring the Jag XJ220 that I've previously shot for @rmsothebys into the Cyberpunk world as I find that it has the perfect vibes for it. So with the same @higgsfield.ai workflow, I used nanobanana pro to create the cyberpunk world with my old photos, and then Kling 3.0 for the key frames animation.

Shot and put together a reel for the Zeekr 7X last week, putting its rapid charging to the test. A 10% to 80% charge in roughly the time it takes for a quick coffee run. Also #mightaswell put together a director's snippet cut showcasing the beauty of the 7X on the roads. Save this location for rapid charging.

Throughout the week at the Defender Trophy competition in Kaohsiung, Taiwan, the local crew worked tirelessly, with barely a moment to pause.

A side reel documenting my past week’s outfield highlights at the Defender Trophy APAC selections in Taiwan. This is a modern revival inspired by the legendary Camel Trophy from 1980 to 2000. The subject, a super capable Landrover Defender 110 in signature Deep Sandglow Yellow.

Not the fastest thing on the road. Not the loudest either. But every drive reminds @ed_thia why he chose it. Straight-six spirit. Rear wheel drive attitude. One that's built for the long road ahead.

I’ve been relying a lot on the DJI Pocket 3 as a B-roll camera to capture background rollers during photography sessions, and it has proven its capabilities every single time, consistently punching above its weight. This time round, on top of stills, I'm combining a full feature video for the @oranger8.sg using just Pocket 3 and Gen AI to bridge some footages.

The original V8 Audi R8 is becoming a legend. A modern classic from an era we won’t see again. The design language, the stance and a soundtrack that still gives goosebumps. More soon.

Cut scenes. Han and the trolley man in slow and steady or the Evo 3? @jongyang813

Have a Horse-seh new year!

Filmed and photographed on the go for this very special Corsa Blue Spider to welcome the year of the Horse. Selected scenes have been crafted on Higgsfield using Cinema Studio to bridge real and fictional footages together.

A day to honor romantic love, friendship, and admiration. Happy Valentine's Day ❤️

Pigeons were not paid actors and no AI for this one. All organically shot. We intruded on their feeding ground but it was a joy using them as props, acting funny as I chased them into flight while holding a camera and trying my best to get clear shots of the car... Life of a photog.

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